Review: Blackface by Ayanna Thompson

Some years ago, during a seminar at a Shakespeare Association of America (SAA) meeting in Atlanta, Ayanna Thompson proclaimed that Othello was “white property.” Commenting on the function of Othello’s Blackness in early modern culture as well as our own, Thompson signaled the importance of remembering that considerations of Othello and his racial identity must, … Continue reading Review: Blackface by Ayanna Thompson

Looking for Mercy in The Merchant of Venice

In the fall semester of 2018, my students at Harvey Mudd College participated in “The Quality of Mercy Project,” whose remit was to offer a collaborative but locally inflected vision of what The Merchant of Venice communicates to us and how we can, in turn, perform and transform this play given our particular, regional interests … Continue reading Looking for Mercy in The Merchant of Venice